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Nine years before Bob Clark brought us Ralphie, a drunken Santa Claus, a Red Ryder BB gun, and a
warning to any kids thinking about licking ice off a metal pole, he made a very different kind of Christmas story.
The story of
Black Christmas is simple enough. In fact, I'll let NetFlix sum it all up:
This 98-minute film is a stark and stylish horror/thriller that turns everyone's favorite time of the year inside out. Olivia Hussey and Margot Kidder star among
an ill-fated houseful of sorority sisters celebrating the holiday season. Festivities turn fatal when obscene phone calls break the serenity and it becomes clear that a psychopath is stalking the house.
Let's see here. Psychopathic killer? Check. Creepy phone calls? Check. A swift 98 minutes? Check. Sorority house chock-full of hot ladies? Check and double-check!
On the surface it looks like a pretty standard slasher flick. But it might be the most important horror movie of all time.
Released in 1974,
Black Christmas is one of, if not
the, first slasher movie, predating many important (and many more completely shitty) horror movies by years. Its influence is so all-encompassing and definitive that, if you took a shot of tequilla whenever you correctly identified a later movie that ripped it off, you'd be drunk, herpe-laden, and possibly pregnant in twenty minutes.
You know how
Friday the 13th was just a cheap knock-off of
Halloween, going so far as mimicking that famous 1st-person point of view from the killer? Well, John Carpenter didn't invent that after all.
You know the climax of
When A Stranger Calls, where the babysitter finds out that the creepy caller is, surprisingly enough, calling from
inside the house? Logistics of placing such a call aside, that's a blatant rip-off of the main plot device in
Black Christmas.
And you know how practically
every slasher film from the 80s takes place in a sorority house? Or, at least, at some kind of
hot lady sleepover? Well, this was the first.
And the thing is, even if you take out the novelty of finding the source material for horror movie cliches, the film itself isn't half bad.
While there are only one or two really big jump moments in the movie, it's atmosphere is pretty fantastic. And sure, the death scenes aren't particular frightening or shocking, but they are admirable for their inventiveness and quasi-artsy editing. The phone calls, easily the creepiest part, still hold up well, most likely because they feature the word "cunt". And while the shock ending isn't so shocking today (your guard starts to go up after seeing the first hundred or so similar false-endings), it's still noteworthy as a technical accomplishment.
But even more important than the above-mentioned historical importance, is the presence of Margot Kidder and Olivia Hussey. While neither gets nude -- unfortunately, that horror cliche started somewhere down the line -- they are both incredibly hot. You could even make the argument that the Young Women Stalked By A Psycho cliche was the direct result of the sorority girls in
Black Christmas.
Without them, we might have never heard the screams of Jamie Lee Curtis, watched Neve Campbell turn the genre on its head by actually defeating the killer(s), or saw the boobs of countless other actresses not skillful enough to land roles in legitimate films and too proud to hitch a ride down the great Porno Highway.
And that in itself deserves, nay, demands our collective awe and respect.